Lens

The FíRIN 20mm f/2 FE MF Lens from Tokina is dedicated to full-frame Sony E-mount mirrorless cameras. The ultra-wide perspective is benefitted by a sophisticated optical design, which incorporates three super-low dispersion elements and two aspherical elements to control both chromatic and spherical aberrations. Additionally, electronic contacts are integrated into the mount design to permit seamless communication of distance and aperture information to the camera body in order to support the use of focusing aids, in-camera image stabilization, and an EVF distance scale. A wide-angle prime lens is designed for full-frame Sony E-mount mirrorless cameras, and can also be used with APS-C models where it provides a 30mm equivalent focal length. Three super-low dispersion elements help to reduce chromatic aberrations and color fringing for improved clarity and color accuracy. The multi-layered coating helps to alleviate lens flare and ghosting when working in strong lighting conditions. Internal contacts relay distance and aperture information to the camera body to enable full support of in-camera focusing aids.

The Tokina 100mm f/2.8 – AT-X M100 PRO D is a macro lens capable of life-sized (1:1) reproduction at 11.8″ (30 cm).This lens gives the best of both worlds because optics still give full coverage and excellent sharpness on 35mm film. A macro lens that can handle both the digital and film worlds with ease. The AF system is not supported by D40, D60, D3000-series, and D5000-series cameras. The lens must be used in fully manual mode when used with the D3400. The lens’ multi-coating has been re-engineered to match the highly reflective silicon based CCD and CMOS sensors in today’s digital SLR cameras. Focus limit switch that can lock the focus out of the closest focus making it focus faster when used as a moderate telephoto lens that is excellent for portraits as well.

The Tokina’s AT-X 24-70mm f/2.8 PRO FX Lens is a standard wide-angle to portrait-length zoom featuring a bright, constant f/2.8 maximum aperture. Designed for Nikon FX-format DSLRs, this everyday lens is ideally suited for nearly any genre of photography, including travel, portraiture, landscape, and event shooting. Well-suited to working in a wide variety of situations, this standard zoom covers an array of perspectives while maintaining consistent illumination for working in challenging lighting. Benefitting the usability, a one-touch focusing clutch permits quick switching between autofocus and manual focus modes, and an internal focusing design maintains the overall length of the lens during use. Additionally, this lens sees the incorporation of a nine-blade diaphragm, which contributes to a pleasing out-of-focus quality when employing a shallow depth of field shooting techniques. Constant f/2.8 maximum aperture provides consistent performance throughout the zoom range and also contributes to greater control over focus position and when working in low-light conditions. A Silent Drive-Module (SDM) offers fast and quiet autofocus performance to benefit both still and movie recording applications. A one-touch focus clutch mechanism permits seamless switching between autofocus and manual focusing positions.

The Tokina 16-28mm f/2.8 AT-X Pro FX Lens is an affordable, ultra-wide-angle lens with an also-ultra wide f/2.8 aperture available over the entire focal length range. Usually, the focal length range of a lens should be the starting criteria for your selection process. A sub 2x focal length range is not going to garner too much excitement, but for most people, unless they specialize in a certain genre of photography, a 16-28mm focal length range is not going to be the only lens in their kit. But the ultra-wide-angle 16-28mm range will far more typically complement a general-purpose zoom lens in most people’s kits. The f/2.8 aperture is a very strong feature of this lens. Use this lens to capture the big picture at your low light events including weddings, anniversaries and parties. At 16mm, the Tokina 16-28mm f/2.8 AT-X Pro FX Lens turns in very good image sharpness. There is some field curvature going on with this lens favoring sharper backgrounds at the edges of the frame. Full frame DSLR camera users are going to notice the nearly 3 stops of peripheral shading at 16mm f/2.8. Wide-open aperture shading amounts reduce to about 1.7 stops at 20mm, 1.5 stops at 24mm and 1.2 stops at 28mm. If it is an ultra-wide-angle zoom lens, it probably has barrel distortion at the wide end of the focal length range.

The Nikon F-mount at-i 11-16mm f/2.8 CF from Tokina is a versatile ultra-wide zoom well-suited for landscape, architecture, and interior shooting. Characterized by its bright f/2.8 constant maximum aperture, consistent brightness is afforded throughout the zoom range and benefits working in available lighting conditions. Complementing the optics, this lens features a One-Touch Focus Clutch Mechanism for fast-changing between AF and MF settings, and the internal focusing design is used for responsive focusing performance. Bright constant f/2.8 maximum aperture affords consistent brightness throughout the zoom range and offers improved control over depth of field. Two SD low dispersion elements control color fringing and chromatic aberrations throughout the zoom range for greater clarity and color accuracy.