The Distagon T* FE 35mm f/1.4 ZA Lens from Sony offers full-frame E-mount shooters a classic wide-angle focal length with excellent optical performance. Offering a maximum aperture of f/1.4, shooters will enjoy excellent performance in low-light conditions as well as the ability to create images with a shallow depth of field. Ensuring excellent imagery are three aspherical elements and one Advanced Aspherical (AA) element which combat aberrations. Along with this, the lens uses a Zeiss T* anti-reflective coating to effectively eliminate flare and ghosting to create a sharp, contrasty image.
Covering a versatile range of ultra wide-angle focal lengths, the Nikon F-mount SP 15-30mm f/2.8 Di VC USD G2 from Tamron enhances this wide zoom with sophisticated optics, focusing, and image stabilization. Helping to realize sharp, clear imagery, the optical design incorporates aspherical and low dispersion glass elements to reduce both spherical and chromatic aberrations throughout the zoom range. A trio of coatings—AX, eBAND, and BBAR—have also been applied to suppress lens flare and ghosting for improved contrast and color rendering when working in bright and backlit conditions.
The AF DX Fisheye-NIKKOR 10.5mm f/2.8G ED from Nikon offers a distinct and creative look, with notable distortion, and is designed for DX-format cameras. Helping to realize the distinct look is a sophisticated optical design that uses both an extra-low dispersion elements and an aspherical element to control chromatic and spherical aberrations for greater clarity and sharpness. A Super Integrated Coating is also used to suppress flare in bright and backlit conditions in order to achieve higher contrast and color accuracy. Additionally, a 5.5″ minimum focusing distance can be used to accentuate close-up subjects and the Close Range Correction system helps to ensure consistent image quality throughout the entire focusing range.
This ultra-telephoto white 800mm f/8.0 Mirror T-Mount Lens from Samyang is a tremendous addition to your camera bag, opening up powerful telephoto possibilities. It’s a wonderful lens for those starting to shoot wildlife or sports and thanks to its affordability, a great lens to round out your kit, offering you ultra-telephoto power if and when you may need it. Lightweight (33 oz. / 946g) and compact (5.68″/14.45 cm long), it can focus as close as 11′ (3.5m), and its aperture is fixed at f/8.0. This manual focus lens is constructed from fully multi-coated, low-dispersion optical glass with a 105mm front filter thread and 30.5mm rear filter thread. A T-ring adapter (available separately) is required to mount this lens to a camera body.
The AF-P NIKKOR 70-300mm f/4.5-5.6E ED VR from Nikon is a telephoto zoom covering a comfortable portrait-length to telephoto range. One extra-low dispersion element is featured in the optical design, which aids in reducing chromatic aberrations for improved clarity and color fidelity. A Super Integrated Coating, too, helps to achieve accurate colors by controlling flare and ghosting when working in bright and backlit conditions. Noteworthy for this lens is the AF-P designation, which indicates the use of a pulse stepping motor that offers notably quiet, fast, and precise autofocus performance to benefit both stills and video applications. Additionally, Vibration Reduction image stabilization compensates for up to 4.5 stops of camera shake for sharper handheld shooting.
The AF-S NIKKOR 180-400mm f/4E TC1.4 FL ED VR from Nikon is a medium to super telephoto zoom characterized by its advanced optical design, internal teleconverter, and host of handling assets to suit photographing fast-moving subjects. Distinguishing itself among most zooms, this 180-400mm features a built-in 1.4x teleconverter to allow for on-the-fly switching to an effective 252-560mm f/5.6 lens for greater reach. A constant f/4 maximum aperture is also a key feature for realizing consistent illumination throughout the zoom range and for producing shallow depth of field and selective focusing imagery. Complementing these traits is a sophisticated optical design that utilizes eight extra-low dispersion glass elements and one fluorite element to control chromatic aberrations and color fringing for increased clarity.
The black EF-M 55-200mm f/4.5-6.3 IS STM Lens from Canon is an 88-320mm equivalent zoom designed for APS-C-format EOS M-series mirrorless cameras. The optical design incorporates one aspherical element and one Ultra Low Dispersion (UD) to control chromatic aberrations and distortions throughout the long-reaching zoom range.Telephoto zoom lens for EF-M mount APS-C format mirrorless cameras provides an 88-320mm equivalent focal length range.One aspherical element and one UD element combine to reduce chromatic aberrations throughout the zoom range for increased sharpness and clarity.
A short telephoto prime distinguished by its close focusing and perspective control capabilities, the TS-E 90mm f/2.8L Macro from Canon is a tilt-shift lens well-suited for product and tabletop photography. Up to +/- 10° of tilt is possible, for focus control, and +/- 12mm of shift, to adjust perspective and composition, and a tilt-locking mechanism can be used while shooting for more stability. A minimum focus distance of 1.3′ and a maximum magnification of 0.5x are also benefitted by the range of movements for more control over depth of field when photographing close-up subjects.
Balancing a versatile wide-angle field of view with advanced perspective and focus control, the TS-E 24mm f/3.5L II is a Canon L-series tilt-shift lens well-suited to architecture, interior, and landscape photography. Up to +/- 8.5° of tilt is possible, for focus control, and +/- 12mm of shift, to adjust perspective and composition. The tilt-shift mechanism can be rotated +/- 90° for applying movements in any direction, and a tilt-locking mechanism can be used while shooting for greater stability.
The RF 50mm f/1.2L USMfrom Canon is a desirable normal-length prime due to its versatile focal length and bright f/1.2 maximum aperture. This fast design excels in difficult lighting conditions and also benefits working with shallow depth of field and selective focus techniques. The optical layout incorporates one UD element and one aspherical element, which help to reduce both chromatic and spherical aberrations in order to produce greater clarity and sharpness. A rounded 10-blade diaphragm also benefits bokeh quality to suit isolating subjects with depth of field.
The Canon RF 28-70mm f/2L USM is a wide-angle to portrait-length lens distinguished by its impressively unique f/2 constant maximum aperture. This bright design yields excellent low-light performance along with enhanced control over depth of field for isolating subject matter. Ultra-Low Dispersion glass is employed in the optical design, and greatly reduces color fringing and chromatic aberrations in order to realize high clarity and color accuracy. Complementing the advanced optical properties is Canon’s proven ring-type Ultrasonic Motor, which delivers fast and quiet autofocus performance along with full-time manual focus control.
the RF 24-105mm f/4L IS USM from Canon is a wide-angle to short telephoto zoom characterized by its constant f/4 maximum aperture. Ideal for use in nearly any shooting scenario, this zoom is benefitted by a five-stop-effective Image Stabilizer to minimize the appearance of camera shake for sharper handheld imagery. Also complementing handling is a unique customizable Control Ring, which can be configured to adjust a variety of exposure settings settings, including aperture, ISO, and exposure compensation.
he EF-S 55-250mm f/4-5.6 IS STM is an 88-400mm-equivalent zoom for Canon APS-C DSLRs. This lens’s long reach is enhanced by the inclusion of an Ultra-Low Dispersion element, which helps to greatly reduce color fringing and chromatic aberrations for greater clarity and color accuracy throughout the zoom range. A Super Spectra coating is also featured, and minimizes flare and ghosting in order to produce greater contrast when working in bright lighting conditions. Benefitting both photo and video applications, an STM stepping AF motor is used to realize quick and near-silent autofocus performance along with full-time manual focus override.
A medium telephoto L-series prime, the Canon EF 200mm f/2.8L II USM combines a flexible focal length with a modestly bright maximum aperture to realize a relatively compact and lightweight design well-suited for sports and portraiture applications. Its advanced optical design incorporates a pair of ultra-low dispersion glass elements to greatly reduce color fringing and chromatic aberrations in order to realize notable clarity and color accuracy, and a Super Spectra coating also helps to increase contrast when working in harsh lighting conditions. Benefitting the optics, a ring-type USM is employed, too, to deliver quick and quiet autofocus performance along with full-time manual focus control.
the Canon EF 400mm f/4 DO IS II USM is a super telephoto lens characterized by its relative lightweight and compact form factor. Gapless dual-layer diffractive optics are employed within this lens’ construction to produce a smaller, lighter 400mm option with enhanced correction for chromatic and spherical aberrations. Aspherical and UD elements are also used to further reduce distortions and a Sub Wavelength Coating contribute to increased clarity and contrast. Complementing the sophisticated optical layout, a four stop-effective Image Stabilizer helps to minimize the appearance of camera shake and can be dedicated to different styles of shooting.
The EF 70-200mm f/4L IS II USM from Canon is an impressively versatile telephoto zoom. Well-suited for a range of subjects, from events to portraiture to sports, this zoom is characterized by its constant f/4 maximum aperture to strike a balance between consistent performance and portability. Its optical design includes a pair of UD elements and one fluorite element to greatly reduce chromatic aberrations and color fringing. This optimized design, along with a Super Spectra coating, also helps to control flare and ghosting for greater contrast and color accuracy when working in harsh lighting and backlit conditions.
The XF 8-16mm f/2.8 R LM WRfrom FUJIFILM is a 12-24mm-equivalent lens featuring a constant f/2.8 maximum aperture for consistent performance throughout the zoom range. The optical layout comprises six extra-low dispersion elements, including three Super ED elements, which help to virtually eliminate chromatic aberrations and color fringing for greater clarity and color accuracy. Four aspherical elements are also used to suppress distortion, curvature of field, and spherical aberrations for improved sharpness. Also, a Nano-GI coating helps to control ghosting and flare for enhanced contrast and color fidelity when working in strong lighting conditions.
the black XC 50-230mm f/4.5-6.7 OIS II from FUJIFILMis a 76-350mm-equivalent zoom suitable for working with a range of distance subjects, from portraits to sports. Its optical design includes one aspherical element and one extra-low dispersion element, which help to reduce a variety of aberrations in order to produce a high degree of sharpness, clarity, and color accuracy. A Super EBC coating has also been applied to individual elements to control flare and ghosting for increased contrast when working in strong lighting conditions. Complementing the optical design is a 3.5 stop-effective image stabilization system, which minimizes the appearance of camera shake to benefit shooting handheld.
Designed for the FUJIFILM G-mount GFX camera system, this GF 32-64mm f/4 R LM WR Lens is a wide-angle zoom offering a 25-51mm equivalent focal length range. Covering wide-angle to normal-length perspectives, this zoom is well-suited to everyday shooting applications, and the constant f/4 maximum aperture maintains consistent performance throughout the zoom range. A sophisticated optical design pairs a trio of aspherical elements with one super ED element and one ED element to control both spherical and chromatic aberrations for improved sharpness, clarity, and color accuracy.
The GF 250mm f/4 R LM OIS WR from FUJIFILM is a 197.5mm-equivalent lens for the G-mount GFX camera system. Offering a mixture of long reach and a relatively bright f/4 maximum aperture, this lens is well-suited to isolating subject matter and working with shallow depth of field techniques. Complementing the visual compression of the telephoto focal length is an advanced optical layout, which uses one Super ED element and two extra-low dispersion elements to control color fringing and chromatic aberrations for a high degree of clarity and color accuracy.
The Fujinon MKX18-55mm T2.9 Lens in X-Mount is a lightweight cine-style zoom lens for X-mount cameras with a Super 35mm-sized sensor. The electrical contacts within the lens mounts allows communication with X-series cameras. It features a mechanical design with three independent lens control rings: focus, iris, and zoom. Each ring incorporates a cine-style gear with a 0.8 MOD for interfacing with standard cine -style lens accessories. The focus ring features approximately 200° of rotation, which provides room for precise focus pulls, and the iris is clickless, enabling smooth iris pulls. The lens also incorporates a macro mode for close focusing capabilities.
the AF-S NIKKOR 24-70mm f/2.8G ED from Nikon is a versatile standard zoom characterized by its bright and sophisticated optical design. The constant f/2.8 maximum aperture affords consistent performance and illumination throughout the zoom range, and suits working in low light and for working with selective focus techniques. Three precision glass molded aspherical elements and three extra-low dispersion elements are used to greatly reduce spherical and chromatic aberrations throughout the zoom range in order to produce a high degree of sharpness and clarity.
the AF-S NIKKOR 24mm f/1.8G ED from Nikon offers a wide field of view along with a bright f/1.8 maximum aperture for working in a variety of environments. Its optical design includes both aspherical and extra-low dispersion elements, which help to minimize spherical and chromatic aberrations in order to produce a high degree of sharpness and clarity. Nano Crystal and Super Integrated Coatings are also featured, and boost contrast and color accuracy by reducing flare and ghosting.
the AF-S NIKKOR 200-400mm f/4G ED VR II from Nikon is a versatile zoom well-suited for sports and wildlife shooting. A constant f/4 maximum aperture affords consistent illumination throughout the zoom range and this relatively bright design also offers increased control over depth of field. An advanced optical design, which includes four extra-low dispersion elements, produces a highly corrected image quality that is void of chromatic aberrations and color fringing for notable clarity and color accuracy.