Spanning an impressive wide to telephoto range, the M.Zuiko Digital ED 12-100mm f/4 IS PRO Lens from Olympus is a 24-200mm equivalent zoom designed for Micro Four Thirds mirrorless cameras. Characterized by its f/4 constant maximum aperture, this lens offers consistent performance throughout the zoom range to suit both stills and video shooting. Its optical design incorporates a slew of low dispersion and aspherical elements in order to reduce both chromatic and spherical aberrations, and both a ZERO coating and a Z Coating Nano have been applied to greatly reduce lens flare and ghosting for improved contrast.
A single-lens solution for most shooting situations, the M.Zuiko Digital ED 12-200mm f/3.5-6.3 from Olympus is designed for Micro Four Thirds mirrorless cameras and covers a huge 24-400mm equivalent focal length range. Despite its long reach, the lens is also characterized by its portable form factor, close 8.7″ minimum focusing distance, and sophisticated optical design, which includes a variety of aspherical, low dispersion, and high refractive index elements to produce well-corrected imagery.
Characterized by its slender profile, the black Lumix G 20mm f/1.7 II ASPH. from Panasonic is a compact, slightly wide 40mm equivalent prime for Micro Four Thirds mirrorless cameras. Its bright f/1.7 maximum aperture offers notable control focus for working with shallow depth of field techniques and also benefits working in difficult lighting conditions. The optical design incorporates a pair of aspherical elements to suppress spherical aberrations and distortion for high sharpness and accurate rendering, and individual elements have also been multi-coated to control surface reflections and flare for improved contrast in strong lighting conditions.
The black HD Pentax DA 15mm f/4 ED AL Limited Lens from Pentax is a compact prime wide-angle lens providing a 35mm-equivalent focal length of 23mm. The lens’ optical design includes features extra-low dispersion glass and one hybrid aspherical elements to minimize chromatic aberrations and limit distortion in order to enable a natural-looking expansive angle of view that is well-suited to both indoor and outdoor scenes. A high-grade multi-layer HD coating has been applied to lens elements to help minimize flare and ghosting for enhanced contrast, clarity, and color fidelity and a rounded seven-blade diaphragm contributes to an aesthetic out-of-focus quality to benefit shallow depth of field imagery.
A flexible zoom covering a popular focal length range, the M.Zuiko Digital ED 12-40mm f/2.8 PRO from Olympus is a wide-to-portrait-length 24-80mm equivalent lens for Micro Four Thirds mirrorless cameras. Its sophisticated optical design, which includes a variety of aspherical, low dispersion, and high refractive index elements, reduces both chromatic and spherical aberrations throughout the zoom range for notable clarity, sharpness, and color accuracy. A ZERO lens coating has also been applied to improve contrast when working in strong lighting conditions. Beyond the advanced lens design, this zoom is also characterized by its constant f/2.8 maximum aperture, as well as its durable weather-sealed construction for working in a variety of conditions.
Pairing a sophisticated optical design with an exceptionally bright maximum aperture, the M.Zuiko Digital ED 17mm f/1.2 PRO from Olympus is a versatile wide-angle, 34mm-equivalent prime for Micro Four Thirds mirrorless cameras. The lens’s calling card is its fast f/1.2 maximum aperture, which suits working in difficult lighting conditions and avails greater control over depth of field. Also, a complex 15 elements, 11 groups construction combines extra-low dispersion, aspherical, and high refractive index elements to significantly reduce both chromatic and spherical aberrations for notable image clarity, sharpness, and color accuracy.
M.Zuiko Digital ED 40-150mm f/4-5.6 R from Olympus is an 80-300mm equivalent telephoto zoom for Micro Four Thirds mirrorless cameras. Its modest maximum aperture helps to realize a compact and lightweight form factor while an advanced optical design, which uses extra-low dispersion and high refractive index glass, controls a variety of aberrations for notable sharpness, clarity, and color accuracy.
the M.Zuiko Digital ED 14-150mm f/4-5.6 II Lens from Olympus is an extremely versatile all-in-one zoom for Micro Four Thirds mirrorless cameras. Providing a 28-300mm equivalent focal length range, this lens spans a wide-angle to telephoto reach to suit photographing in nearly any situation. Despite its reach, the lens still remains compact for easy portability, and it utilizes a sophisticated optical design, comprised of various aspherical, low dispersion, and high refractive index glass elements, to reduce aberrations and distortion for high sharpness, clarity, and color accuracy.
Multiply your lens’ focal length by 1.7x with the Nikon AF-S Teleconverter TC-17E II for F mount lenses. This teleconverter will maintain full metering and focusing with compatible cameras and lenses, and will also support the VR function found on many current lenses. This teleconverter also has Nikon’s Integrated Coating to limit flaring and ghosting that may occur.
A favored focal length for everything from landscape to street shooting, the NIKKOR Z 35mm f/1.8 S is a prime wide-angle lens characterized by its versatility and bright f/1.8 maximum aperture. Furthering its merits, the optical design features two extra-low dispersion elements and three aspherical elements, which reduce a variety of aberrations and distortion to produce imagery with high sharpness, clarity, and accurate color rendering. Both Nano Crystal and Super Integrated Coatings are used, too, to suppress flare and ghosting for greater color fidelity and higher contrast.
Covering a useful range of focal lengths, the NIKKOR Z 24-70mm f/4 S is a versatile zoom, spanning wide-angle to portrait-length perspectives. Its constant f/4 maximum aperture maintains a consistent exposure throughout the zoom range and also helps to realize a more compact and lightweight alternative to an f/2.8 zoom. In regard to the optical design, a unique aspherical extra-low dispersion element, in addition to three aspherical elements, is used to help reduce chromatic aberrations and distortions throughout the zoom range in order to achieve high image sharpness and clarity.
A compact, well-versed prime, the NIKKOR Z 50mm f/1.8 S from Nikon offers a normal-length field of view along with a bright f/1.8 maximum aperture. The comfortable perspective pairs with the f/1.8 design to suit working in difficult lighting conditions as well as offers increased control over depth of field. The optical design includes two aspherical elements and two extra-low dispersion elements, which greatly reduce both spherical and chromatic aberrations for increased sharpness and clarity. Both Nano Crystal and Super Integrated Coatings are used, too, to suppress flare and ghosting for greater color fidelity and higher contrast.
The Rokinon 12mm T2.2 Cine Lens for Samsung NX Mount is a wide-angle lens optimized for digital cinematography. The lens produces an image circle that will cover APS-C sized sensors or smaller. For use with a follow focus unit, the focus and aperture rings feature industry-standard 0.8 pitch gearing. The aperture ring is also de-clicked to allow for smooth iris pulls while shooting. Focus, aperture, and depth of field markings are on the side of the lens to aid focus pullers, who typically operates on the side of the camera.
The 12mm f/2.8 ED AS NCS Fisheye Lens for Pentax K Mount from Samyang provides a 180º diagonal angle of view on full-frame cameras for an ultra-wide angle, distorted perspective that is useful for architectural interiors, landscapes and creative experimentation in any photographic application. The f/2.8 maximum aperture is effective in low-light situations and enables some measure of shallow depth of field control.
A flexible lens for general shooting, the black M.Zuiko Digital 17mm f/1.8 from Olympus is a 34mm equivalent wide-angle prime for Micro Four Thirds mirrorless cameras. The wide field of view pairs with the bright f/1.8 maximum aperture to benefit working in difficult lighting conditions, and it also offers increased control over depth of field for working with selective focusing techniques.
The Nikon AF-S Teleconverter TC-14E III is a 1.4x teleconverter used to extend the effective focal length of Nikon F-mount AF-S lenses by 40% while still maintaining full support for autofocus, exposure metering, and VR image stabilization with compatible lenses. The front and rear optical surfaces feature fluorine coatings, which repel water droplets, and the durable lens barrel is also weather-resistant to suit working in inclement conditions.
The 50mm T1.5 VDSLR AS UMC Lens for Canon EF Mount from Samyang is a fast, manual focus, prime lens. It provides a maximum aperture of T1.5 for effective low light capture and shallow depth of field control and an 8 blade iris for attractive bokeh. Optimized for cinema and video applications, the focus and aperture control rings are outfitted with industry standard gearing, which provides an interface for working with a traditional follow focus. The aperture control ring has also been de-clicked, which enables smooth iris pulls. In addition, bright aperture and distance markings are printed on the lens barrel facing laterally to facilitate easier control by a focus puller.
Small and fast, the 21mm Compact High-Speed Cine Lens covers APS-C and Four-Thirds format sensors. The lens comes in a Canon EF-M mount and features industry standard geared focus and iris rings. Ultra Multi-Coatings on the lens provide sharp contrast and consistent colors from lens-to-lens. Aspheric and extra low dispersion glass elements are used to minimize chromatic aberrations. The lens is marked in both feet and meters and features a de-clicked iris for smooth aperture pulls.
The 7.5mm f/3.5 UMC Fisheye MFT Lens from Samyang – Silver is the first model in a new series of Samyang lenses designed specifically for the Micro Four Thirds system of cameras. Compact and with superior optics it is compatible with any micro four thirds mount. Providing a 180º angle of view, this lens is ideal for shooting panoramic vistas and for stitching together sweeping full 360º views. It is perfect for exploring the creativity of wide-angle lenses by distorting and exaggerating normal perspectives and with its large depth of field, it’s a great lens for close-up shots and fun portraits.
The 7.5mm f/3.5 UMC Fisheye MFT Lens from Samyang – Black is the first model in a new series of Samyang lenses designed specifically for the Micro Four Thirds system of cameras. Compact and with superior optics it is compatible with any micro four thirds mount. Providing a 180º angle of view, this lens is ideal for shooting panoramic vistas and for stitching together sweeping full 360º views.
Combining a wide-angle perspective with a fast maximum aperture, this 21mm f/1.4 Lens from Rokinon is designed for Micro Four Thirds mirrorless cameras and provides a 42mm equivalent focal length. One extra-low dispersion element and a trio of aspherical elements are incorporated into the lens construction, and help to control aberrations and distortions for increased clarity and sharpness. The bright f/1.4 maximum aperture excels in difficult lighting conditions and also enables greater control over focus placement, which is further complemented by the manual focus design and rounded nine-blade diaphragm to produce a quality of bokeh.
The 16mm f/2.0 ED AS UMC CS Lens for Sony E Mount from Samyang is a manual focus wide-angle prime lens compatible with APS-C format mirrorless digital cameras. It provides an 83.1° angle of view which translates into a 35mm format equivalency of 24mm. A fast maximum aperture of f/2.0 is effective in low light shooting and provides shallow depth of field. With two aspherical lens elements and one extra-low dispersion element, chromatic aberrations are minimized and sharp, color-accurate images are the result. UMC lens coating facilitates even light transmission and reduces ghosting and flares.
The 16mm f/2.0 ED AS UMC CS Lens for Canon from Samyang is a manual focus, wide-angle lens compatible with APS-C format DSLR digital cameras. It provides a 79.5° angle of view which translates into a 35mm format equivalency of 25.6mm. Its fast maximum aperture of f/2.0 is effective in low light shooting and provides shallow depth of field. With two aspherical lens elements and one extra-low dispersion element, chromatic aberrations are minimized and sharp, color-accurate images are the result. UMC lens coating facilitates even light transmission and reduces ghosting and flare.
The 14mm f/2.8 IF ED UMC Lens for Nikon with AE Chip from Rokinon gives you approximately a 115° view with dramatic results when used with a full frame digital camera or 35mm film camera. It includes a special chip that allows the lens to work with the camera’s focus confirm, auto exposure, auto metering and auto white balance functions. With hybrid aspherical lenses, you will produce sharply defined images with a minimum of distortion and chromatic aberrations. This manual focus 14mm lens focuses as close as 0.9′ / 28cm from the lens, and has a built-in petal-type lens hood. With some cameras, Shutter Lock must be disengaged on the camera’s menu.