The Loxia 85mm f/2.4 from ZEISS is an ideal portrait-length lens characterized by its sleek form factor and impressive optical qualities. Additionally, a ZEISS T* anti-reflective coating has also been applied to the individual lens elements to control lens flare and ghosting for improved contrast when working in strong lighting conditions. Additionally, the lens body sports a dust- and moisture-sealed design to permit its use in trying environments. An f/2.4 maximum aperture permits working in low-light conditions offers control over depth of field, and also helps to maintain the compact overall form factor of the lens. ZEISS T* anti-reflective coating has been applied to each lens surface to help minimize reflections and provide greater contrast and color fidelity. Weather-resistant construction includes internal seals to guard against dust and moisture as well as a blue sealing ring at the lens mount to protect the lens-camera interface.
The Batis 40mm f/2 CF from ZEISS is a Sony E-mount prime further characterized by its advanced optical layout. Based on the Distagon design, this lens uses a series of aspherical and anomalous partial dispersion elements to greatly reduce color fringing, distortion, and other aberrations to realize sharp, clear, and color-accurate imagery. Additionally, an enhanced ZEISS T* anti-reflective coating has been applied to reduce flare and ghosting for working in difficult lighting conditions. Short normal-length prime is designed for full-frame Sony E-mount mirrorless cameras, however, it can also be used with APS-C models where it will provide a 60mm equivalent focal length. ZEISS T* anti-reflective coating has been applied to each lens surface to help minimize reflections and provide greater contrast and color fidelity.
This Canon EF-M Lens Adapter Kit enables you to mount Canon EF and EF-S lenses onto the EOS-M mirrorless digital camera, which has an EF-M lens mount. Enables you to mount Canon EF and EF-S Lenses onto the Canon EOS-M mirrorless digital camera, which has an EF-M lens mount. Fully compatible with all lens functions, including image stabilization and autofocus.
The Canon EF-mount 100-400mm f/4.5-6.3 Di VC USD from Tamron spans a useful focal length range along with a lightweight design for even greater versatility. Complementing the optical design is a high-speed Ultrasonic Silent Drive autofocus system, which is benefitted by a dual MPU for quick and responsive performance. Three LD (low dispersion) elements are used in the optical design to greatly reduce chromatic aberrations and color fringing for improved clarity and color accuracy throughout the zoom range.VC image stabilization helps to minimize the appearance of camera shake for more effective handheld shooting in difficult lighting conditions. Dual Micro-Processing Unit control system contributes to quick and responsive performance for both the autofocus and Vibration Compensation systems.
The 16mm f/1.4 DC DN is part of Sigma‘s Contemporary series of lenses and is designed for use with Canon EF-M-mount mirrorless cameras. The optical design makes use of several low dispersion and aspherical elements, which control color fringing and various aberrations in order to provide high sharpness and clarity throughout the aperture range. Benefitting the optical assets, this lens also sports a stepping AF motor for quick, quiet, and smooth focusing performance that suits both still photography as well as video applications. The wide-angle prime is designed for APS-C-format Canon EF-M-mount mirrorless cameras and provides a 25.6mm equivalent focal length. Two aspherical elements are used to limit distortion and spherical aberrations and also contribute to greater overall sharpness and accurate rendering. A stepping AF motor benefits both photographers and videographers with its fast, precise, and near-silent performance.
The TS-E 50mm f/2.8L Macro from Canon is a normal-length tilt-shift lens well-suited for product, tabletop, architectural, and interior photography. Up to +/- 8.5° of tilt is possible, for focus control, and +/- 12mm of shift, to adjust perspective and composition, and a tilt-locking mechanism can be used while shooting for more stability. this L-series prime is also distinguished by its optical design that features a pair of Ultra-Low Dispersion elements to significantly reduce color fringing and chromatic aberrations as well as one aspherical element to minimize spherical aberrations and distortion. Individual elements also feature both Air Sphere and Subwavelength Coatings to suppress flare and ghosting for greater contrast and color neutrality. Two ultra-low dispersion elements help to reduce color fringing and chromatic aberrations for improved clarity and color accuracy. Both Air Sphere and Subwavelength Coatings have been applied to lens elements to minimize surface and internal reflections for a marked reduction in lens flare and ghosting when working in strong lighting conditions.
The silvers Summilux-M 35mm f/1.4 ASPH. is a general wide-angle lens characterized by its sophisticated optics and bright f/1.4 maximum aperture. The fast lens is well-suited for available light photography and also affords greater control over depth of field for selective focus shooting. Versatile general wide-angle prime features a bright, fast f/1.4 maximum aperture to benefit working in low-light conditions and for greater control over depth of field. The floating elements system achieves consistent image quality throughout the focusing range, even at the minimum focusing distance of 2.3′.
The EF 75-300mm f/4-5.6 III USM from Canon is a 4x zoom characterized by its relatively lightweight design and compact form factor. Well-suited for a variety of subjects, including portraiture and sports, this lens spans portrait to medium telephoto fields of view and utilizes a micro USM to provide noticeably quick, near-silent, and precise autofocus performance that suits both stills and video applications. Versatile telephoto zoom is designed for full-frame Canon EF-mount DSLRs, however, it can also be used with APS-C models where it provides a 120-480mm equivalent focal length range. A micro Ultrasonic Motor (USM) is employed to deliver fast, precise, and quiet autofocus performance and works in conjunction with an electromagnetic diaphragm to complement photographing at fast continuous speeds.
The E 10-18mm f/4 OSS Lens from Sony Delivering a super-wide 15-27mm equivalent zoom range, and offering a constant f/4 aperture, this lens can produce high-quality images in a variety of difficult scenarios. Also, the lens is equipped with Optical SteadyShot image stabilization for reducing the effects of camera shake. Designed for APS-C-format E-mount cameras, this ultra-wide-angle 10-18mm lens will provide a 15-27mm equivalent zoom range. One Super ED (extra-low dispersion) glass element is featured in the lens design to help reduce chromatic aberrations and color fringing for improved clarity and color neutrality. Optical SteadyShot image stabilization helps to minimize the appearance of camera shake for sharper imagery when shooting handheld with slower shutter speeds. This stabilization system can also be combined with select camera’s sensor-shift type image stabilization for more effective control of camera blur.
A high-diffraction lens that effectively controls the path of light, and a low-dispersion lens that corrects chromatic aberration by minimizing light dispersion, excellent resolution result might be created by effectively control Ghost and flare phenomenon through UMC coating. In particular, the floating focus design secures full optical function without using the aspherical lens. The length of the product is about 8cm, the weight is only 300g, you can expect an attractive outcome in which unique and various creation and emotion of manual lens and attractive are reflected anytime and anywhere.
The Nikon F mount Rokinon 8mm T3.8 Cine UMC Fisheye CS II Lens was developed primarily for film and video applications. The cine version of Rokinon’s 8mm lens features industry-standard gearing for the focus and aperture ring, and the aperture ring has been de-clicked for smooth iris pulls. The aperture and focus scales have also been relocated to the side of the lens, where it is easier for focus pullers to read them. The optical construction incorporates one hybrid aspherical element to reduce chromatic aberration and distortion to produce sharper imagery. Additionally, a UMC coating has been applied to lens elements to minimize lens flare and ghosting for more contrast-rich images. Geared aperture and focus rings are compatible with standard follow focus for greater control over adjustment.
This Canon EF Mount Samyang 8mm T3.8 UMC Fish-Eye CS II Lens is a fish-eye cine lens designed for video capture on cameras with APS-C sized sensors. It features an 8mm focal length and a 180° ultra-wide angle of view. This angle of view changes, however, to 167° on Canon cameras because Canon APS-C sized sensors are slightly smaller and have a crop factor of 1.6. The aperture ranges from T3.8 to T22. T3.8 being its fastest aperture, this lens is best used in environments with sufficient light or with a light source incorporated. The aperture is manually adjustable without click stops with a continuous, smooth aperture ring. Both the aperture ring and focus ring feature a 0.8 gear pitch in case you want to use a follow focus with either. The focus ring is also well-damped and very smooth. The lens doesn’t offer auto-focus, but in fish-eye lenses objects appear mostly in focus anyway. The minimum focusing distance is 11.8″ (30 cm). The lens has 10 lens elements arranged in 7 groups. It’s coated with Samyang’s multi-layered, anti-reflection Ultra Multi Coating (UMC), which suppresses flaring and ghosting. The lens body is made of aluminum and is very robust. A removable, petal-type lens hood, and front and rear lens caps are included with the lens.
The 16mm f/2.0 ED AS UMC CS Lens for Sony Alpha from Samyang is a manual focus, wide-angle lens compatible with APS-C format DSLR digital cameras. It provides an 83.1° angle of view which translates into a 35mm format equivalency of 24mm. Its fast maximum aperture of f/2.0 is effective in low light shooting and provides shallow depth of field. With two aspherical lens elements and one extra-low dispersion element, chromatic aberrations are minimized and sharp, color-accurate images are the result. UMC lens coating facilitates even light transmission and reduces ghosting and flare. Fast f/2.0 maximum aperture for effective low light shooting and shallow depth of field
100mm f/2.8 ED UMC Macro Lens from Samyang is a manual focus short telephoto designed for working with subjects both near and far. The optical design incorporates one high refractive index element and one extra-low dispersion element to reduce chromatic aberrations and distortions throughout the focusing range, and an Ultra Multi-Coating has also been applied to minimize flare and ghosting for increased contrast and color neutrality. A long focal length lens with close focusing abilities and a high magnification ratio, this macro lens is ideal for making close-up, detailed images of nearby subjects. A bright f/2.8 maximum aperture is useful for working in a variety of lighting conditions and the minimum f/32 aperture helps to attain a long depth of field when working with close-up subjects. An Ultra Multi-Coating has been applied to lens elements to reduce lens flare and ghosting for increased clarity, contrast, and color fidelity. Benefitting working with especially close subjects, this manual focus lens features an internal focus design to maintain the overall lens length during use. Additionally, the front filter mount does not rotate when focusing to better enable the use of polarizers, graduated ND, and other filter types that require precise positioning.
The M.Zuiko Digital ED 40-150mm f/4-5.6 R from Olympus is an 80-300mm equivalent telephoto zoom for Micro Four Thirds mirrorless cameras. Its modest maximum aperture helps to realize a compact and lightweight form factor while an advanced optical design, which uses extra-low dispersion and high refractive index glass, controls a variety of aberrations for notable sharpness, clarity, and color accuracy. Extending its versatility, this lens also features a Movie & Stills Compatible autofocus system, which is quick, quiet, and precise to suit both photo and video shooting applications. One extra-low dispersion glass element controls color fringing and chromatic aberrations for improved clarity and color accuracy throughout the zoom range. Movie & Still Compatible (MSC) autofocus system benefits both photo and video applications due to its smooth, quiet, and fast performance. Dust- and moisture-resistant lens barrel benefits the lens’ use in inclement conditions.
This ultra-telephoto white 800mm f/8.0 Mirror T-Mount Lens from Samyang is a tremendous addition to your camera bag, opening up powerful telephoto possibilities. It’s a wonderful lens for those starting to shoot wildlife or sports and thanks to its affordability, a great lens to round out your kit, offering you ultra-telephoto power if and when you may need it. Lightweight (33 oz. / 946g) and compact (5.68″/14.45 cm long), it can focus as close as 11′ (3.5m), and its aperture is fixed at f/8.0. This manual focus lens is constructed from fully multi-coated, low-dispersion optical glass with a 105mm front filter thread and 30.5mm rear filter thread. A T-ring adapter (available separately) is required to mount this lens to a camera body.
The black EF-M 55-200mm f/4.5-6.3 IS STM Lens from Canon is an 88-320mm equivalent zoom designed for APS-C-format EOS M-series mirrorless cameras. The optical design incorporates one aspherical element and one Ultra Low Dispersion (UD) to control chromatic aberrations and distortions throughout the long-reaching zoom range.Telephoto zoom lens for EF-M mount APS-C format mirrorless cameras provides an 88-320mm equivalent focal length range.One aspherical element and one UD element combine to reduce chromatic aberrations throughout the zoom range for increased sharpness and clarity.
A short telephoto prime distinguished by its close focusing and perspective control capabilities, the TS-E 90mm f/2.8L Macro from Canon is a tilt-shift lens well-suited for product and tabletop photography. Up to +/- 10° of tilt is possible, for focus control, and +/- 12mm of shift, to adjust perspective and composition, and a tilt-locking mechanism can be used while shooting for more stability. A minimum focus distance of 1.3′ and a maximum magnification of 0.5x are also benefitted by the range of movements for more control over depth of field when photographing close-up subjects.
OMEGA M.ZUIKO DIGITAL ED 17MM F/1.2 BLACK – Features & What You Need to Know
The Olympus M.ZUIKO DIGITAL ED 17mm F/1.2 Black is one of the best cameras you can buy if you are a hardcore photographer who wants to shoot amazing images with the greatest optical zoom lens available. Many professional photographers will swear by the Olympus M.ZUIKO DIGITAL ED 17mm F/1.2.
When you get a new camera, you want to look at all the features and see what is included. The M.ZUIKO DIGITAL ED 17mm F/1.2 Black is no exception. In this review, we will take a closer look at what the Olympus M.ZUIKO DIGITAL ED 17mm F/1.2 Black has to offer.
What is included in the Olympus M.ZUIKO DIGITAL ED 17mm F/1.2 Black? The lenses are what will most likely sell the camera.
We should look at the F/1.2 zoom to start. This lens offers the best overall zoom available with the widest aperture available.
This lens has three different multi-coated lens elements, a high-performance dust and moisture resistant coating and an anti-reflective coating that go beyond the ordinary. If you use any photography mediums that involve long exposures, you need this lens.
You also get a three-inch, super-fast autofocus system. You will be able to keep that focus sharp throughout your image.
There is also a new large 7-axis image stabilization. This lens will shake less and still deliver great image quality.
In terms of what comes in the camera bags, there is a nice leather carry case, so you don’t have to worry about carrying around heavy bags. The camera bags are a little big, so take some time to make sure you get the right bag.
The same lens will be featured in the Olympus M.ZUIKO DIGITAL ED 17mm F/1.2 Black, except for a few different special versions. The basic 16-megapixel design will be found on all the versions.
It will also have a brighter electronic viewfinder. This is more for fashion photographers who want to capture a better image.
With the Olympus M.ZUIKO DIGITAL ED 17mm F/1.2 Black, you will get the famous Hyper Sonic Motor, which produces incredible optical performance. When you take pictures, this lens produces sharp, clear images in a fraction of a second.
Utilizing a multi-layer coating process for consistent color rendition from lens to lens, the Samyang 35mm T1.5 VDSLRII Cine Lens for Micro Four Thirds Mount answers the challenge of assembling a set of lenses over time. The lens comes in Micro Four Thirds Mount and features industry standard geared focus and iris rings that share common position with other Samyang VDSLRII Cine lenses. To aid focus pullers who have to work both sides of the lens, the aperture and focus scales are marked on both sides of the lens.
The E 35mm f/1.8 OSS Lens from Sony is a versatile and lightweight option that will fit a variety of shooting scenarios. It offers a fast f/1.8 maximum aperture for working in low-light and creating images with shallow depth of field. Also, it has built-in Optical SteadyShot image stabilization for reducing camera shake and creating sharper images and uses an internal focus mechanism that enables fast, responsive focusing as close as 11.8″. Additionally, it has a seven-blade circular diaphragm for smooth bokeh. One extra-low dispersion glass element is featured in the lens design to help reduce chromatic aberrations and color fringing for improved clarity and color neutrality. An internal focus mechanism contributes to faster, more responsive autofocus, the minimum focus distance of 11.8″, and easier handling as the lens does not change in length during use.
The Leica DG Summilux 15mm f/1.7 ASPH. from Panasonic is a 30mm equivalent wide-angle lens for Micro Four Thirds mirrorless cameras. Its bright f/1.7 maximum aperture benefits working in low-light conditions and also avails greater control over the focus position for shallow depth of field and selective focus techniques. The optical design incorporates three aspherical elements to reduce distortion and spherical aberration for sharper imagery with greater overall clarity. Additionally, a Nano Surface Coating has been applied to lens elements to suppress lens flare and ghosting for more contrast-rich, color-neutral photos and movies. Fast f/1.7 maximum aperture benefits working in difficult lighting conditions and is also useful for controlling depth of field for selective focus applications. A Nano Surface Coating minimizes surface reflections throughout the entire visible spectrum for maintained contrast and color fidelity with a marked reduction in lens flare and ghosting. The metal lens barrel is accentuated by a dedicated MF/AF switch and an aperture ring for more direct, intuitive operation.
The Nokton 50mm f/1.1 from Voigtlander is a versatile normal-length prime for M-mount rangefinder cameras. The bright f/1.1 maximum aperture is well-suited to working in difficult lighting conditions and also affords extensive control over depth of field for working with selective focus techniques. Additionally, a 10-blade diaphragm is featured, which helps to produce a smooth bokeh quality, and the manual focus design enables working with subjects as close as 3.3′ away. Exceptionally fast f/1.1 maximum aperture helps control depth of field for shallow depth of field shooting, and also benefits working in difficult lighting conditions. Manual focus design enables a minimum focusing distance of 3.3′.
Tamron 18-200mm f/3.5-6.3 Di II VC Lens is designed for APS-C format Canon EF-mount DSLRs, where it will provide a 28.8-320mm equivalent focal length range. One hybrid aspherical element and one low dispersion element are incorporated into the optical design and help to reduce distortions and aberrations throughout the zoom range for sharp, clear, and color-accurate imagery. Additionally, a DC motor gear train AF drive module is also featured and helps to maintain the fast, accurate focusing performance that is equally smooth and quiet to benefit both stills and video applications. Complementing the expansive zoom range and refined optical design, this 18-200mm also features a moisture-resistant construction to enable working in nearly any situation. One hybrid aspherical element and one low dispersion element help to control chromatic and spherical aberrations throughout the zoom range for increased clarity, sharpness, and color accuracy.VC image stabilization helps to control the effects of camera shake to better enable working in low lighting or with longer shutter speeds.