The GF 1.4x TC WR Teleconverter from FUJIFILM. The G-mount converter magnifies the image by 1.4x and retains full communication between the lens and body, enabling metering, autofocus, and image stabilization as well as the transmission of Exif data. Additionally, the teleconverter is designed to maintain the weather resistance of the entire FUJIFILM system with a sealed construction that reduces the chances of dust, water, or even the cold from affecting performance.
Fujinon MK18-55mm T2.9 Lens in E Mount is a lightweight cine-style zoom lens for E-mount cameras with a Super 35mm-sized sensor. It features a mechanical design with three independent lens control rings: focus, iris, and zoom. Each ring incorporates a cine-style gear with a 0.8 MOD for interfacing with standard cine-style lens accessories. The focus ring features approximately 200° of rotation, which provides a room or precise focus pulls, and the iris is clickless, enabling smooth iris pulls. The lens also incorporates a macro mode for close focusing capabilities.
The silver XC 16-50mm f/3.5-5.6 OIS II Lens from Fujifilm provides a 24-76mm equivalent focal length range and is designed for use on their APS-C-format X-series mirrorless digital cameras. The standard zoom range is complemented by optical image stabilization, which minimizes the appearance of camera shake to render sharper imagery at longer focal lengths and when working with slower shutter speeds. The optical design features three aspherical elements and one extra-low dispersion element to help minimize chromatic aberrations and distortions and a Super EBC coating has been applied to reduce ghosting and flare for clearer, more color-accurate results.
The black XF 16mm f/2.8 R WR is a 24mm-equivalent wide-angle lens, well-suited to landscape, nature, and architectural shooting. Its f/2.8 maximum aperture balances size and speed, and is suitable for working in available lighting conditions while also limiting the overall size and weight of the lens for everyday use. The optical design features two aspherical elements to reduce distortion and spherical aberrations in order to produce greater sharpness and accurate rendering.
The FUJIFILM XF 200mm f/2 R LM OIS WR is a 305mm-equivalent lens further characterized by its sophisticated optical layout, fast performance, and apt image stabilization. Well-suited for sports, events, and wildlife photography, the impressive f/2 maximum aperture suits working in a variety of lighting conditions and also promotes working with shallow depth of field and selective focus techniques. The optical design features three extra-low dispersion elements, including one Super ED element, which help to achieve greater clarity and color accuracy by controlling fringing and chromatic aberrations. A Super EBC coating is also used to suppress flare for improved contrast and color rendering. Complementing the optics is a linear motor-based autofocus system, which offers fast, near-silent performance for both stills and video use. Additionally, a five stop-effective optical image stabilization system minimizes the appearance of camera shake for sharper results. Suiting the lens’s use in inclement conditions, it is also weather-sealed to resist and dust and moisture and a fluorine coating have been applied to the front element.
The XF 8-16mm f/2.8 R LM WRfrom FUJIFILM is a 12-24mm-equivalent lens featuring a constant f/2.8 maximum aperture for consistent performance throughout the zoom range. The optical layout comprises six extra-low dispersion elements, including three Super ED elements, which help to virtually eliminate chromatic aberrations and color fringing for greater clarity and color accuracy. Four aspherical elements are also used to suppress distortion, curvature of field, and spherical aberrations for improved sharpness. Also, a Nano-GI coating helps to control ghosting and flare for enhanced contrast and color fidelity when working in strong lighting conditions.
the black XC 50-230mm f/4.5-6.7 OIS II from FUJIFILMis a 76-350mm-equivalent zoom suitable for working with a range of distance subjects, from portraits to sports. Its optical design includes one aspherical element and one extra-low dispersion element, which help to reduce a variety of aberrations in order to produce a high degree of sharpness, clarity, and color accuracy. A Super EBC coating has also been applied to individual elements to control flare and ghosting for increased contrast when working in strong lighting conditions. Complementing the optical design is a 3.5 stop-effective image stabilization system, which minimizes the appearance of camera shake to benefit shooting handheld.
Designed for the FUJIFILM G-mount GFX camera system, this GF 32-64mm f/4 R LM WR Lens is a wide-angle zoom offering a 25-51mm equivalent focal length range. Covering wide-angle to normal-length perspectives, this zoom is well-suited to everyday shooting applications, and the constant f/4 maximum aperture maintains consistent performance throughout the zoom range. A sophisticated optical design pairs a trio of aspherical elements with one super ED element and one ED element to control both spherical and chromatic aberrations for improved sharpness, clarity, and color accuracy.
The GF 250mm f/4 R LM OIS WR from FUJIFILM is a 197.5mm-equivalent lens for the G-mount GFX camera system. Offering a mixture of long reach and a relatively bright f/4 maximum aperture, this lens is well-suited to isolating subject matter and working with shallow depth of field techniques. Complementing the visual compression of the telephoto focal length is an advanced optical layout, which uses one Super ED element and two extra-low dispersion elements to control color fringing and chromatic aberrations for a high degree of clarity and color accuracy.
The Fujinon MKX18-55mm T2.9 Lens in X-Mount is a lightweight cine-style zoom lens for X-mount cameras with a Super 35mm-sized sensor. The electrical contacts within the lens mounts allows communication with X-series cameras. It features a mechanical design with three independent lens control rings: focus, iris, and zoom. Each ring incorporates a cine-style gear with a 0.8 MOD for interfacing with standard cine -style lens accessories. The focus ring features approximately 200° of rotation, which provides room for precise focus pulls, and the iris is clickless, enabling smooth iris pulls. The lens also incorporates a macro mode for close focusing capabilities.