The Panasonic Lumix S 20-60mm f/3.5-5.6 is a sleek and versatile lens designed for full-frame L-mount mirrorless cameras. The distinct range of focal lengths is also complemented by flexible focusing capabilities, which permit working with subjects as close as 5.9″ with a 0.43x magnification for near-macro performance. A fluorine coating has been applied to the front element to reduce smudging and make it easier to clean and then the lens also features a weather-sealed design for working in harsh environmental conditions. Two aspherical elements and one ultra-high refractive index (UHR) element, help to minimize distortions and spherical aberrations throughout the zoom range in order to maintain edge-to-edge sharpness and illumination. Stepping AF motor delivers quick and quiet focusing performance that benefits both photo and video applications.AF/MF switch permits quick changing between focusing modes.
The M.Zuiko Digital ED 12-40mm f/2.8 PRO from Olympus is a wide-to-portrait-length 24-80mm equivalent lens for Micro Four Thirds mirrorless cameras. Its sophisticated optical design, which includes a variety of aspherical, low dispersion, and high refractive index elements, reduces both chromatic and spherical aberrations throughout the zoom range for notable clarity, sharpness, and color accuracy. Additionally, a Movie & Still Compatible autofocus system achieves fast, smooth, and silent focusing performance, and a manual focus clutch affords instant switching between focusing methods. The lens construction integrates one aspherical ED (extra-low dispersion) element, two aspherical elements, one DSA (Dual Super Aspherical) element, two extra-low dispersion elements, one HD element, and two HR (high-refractive index) elements into its design to minimize aberrations, distortion, and color fringing throughout the zoom range while also contributing to overall image sharpness, clarity, and color accuracy. Movie & Still Compatible (MSC) autofocus system benefits both photo and video applications due to its smooth, quiet, and fast performance.
The Leica L-mount 100-400mm f/5-6.3 DG DN OS Contemporary lens, from Sigma, is a versatile telephoto zoom mixing a hand-holdable design with the apt optical performance. Telephoto zoom is designed for full-frame L-mount mirrorless cameras, but can also work with APS-C models where it provides a 150-600mm equivalent focal length range. Optical image stabilization compensates for up to four stops of camera shake to help realize sharp imagery when shooting handheld with slower shutter speeds. At the 100mm end of the zoom range, a minimum focusing distance of 3.7′ is available, and at the 400mm end, the minimum focusing distance is 5.2′ with a maximum magnification of 1:4.1. There is a zoom lock switch to prevent the barrel from accidentally extended. Brass bayonet affords improved mounting accuracy and rigidity and rubber sealing is incorporated in the mount’s design to render it dust- and splash-resistant. This lens is compatible with the optional Sigma UD-11 USB Dock for fine-tuning different lens characteristics and updating its firmware.
The NIKKOR Z 24-200mm f/4-6.3 VR from Nikon is an all-in-one 8.3x zoom covering wide-angle to telephoto focal lengths. A stepping motor provides quick, quiet, and precise autofocus performance along with full-time manual focus override to suit both stills and video applications. Two aspherical elements and one aspherical ED element is used to reduce spherical aberrations and distortion in order to realize sharp imagery with accurate rendering.ARNEO and Nano Crystal Coats are used to prevent ghosting, reflections, and flare in order to realize improved contrast and clarity when working in strong lighting and backlit conditions. Stepping motor delivers impressively smooth, quiet, and fast autofocus performance that is well-suited to both stills and video applications. Vibration Reduction image stabilization minimizes the appearance of camera shake by up to 5 stops for sharper handheld shooting. Specialized electromagnetic aperture mechanism provides greater exposure control stability that is especially beneficial when working with fast continuous shooting rates.
The Minimum focusing distance of FUJIFILM G-mount lenses, this MCEX-45G WR Macro Extension Tube enables you to achieve a greater maximum magnification for close-up shooting. Additionally, integrated contacts maintain full autofocus and auto-exposure functionality. This 45mm-long tube enables macro-like performance for lenses not otherwise able to focus closely, and since the tube does not contain any optical components the image quality of the original lens is maintained.
The Minimum focusing distance of FUJIFILM G-mount lenses, this MCEX-18G WR Macro Extension Tube enables you to achieve a greater maximum magnification for close-up shooting. Additionally, integrated contacts maintain full autofocus and auto-exposure functionality. This 18mm-long tube enables macro-like performance for lenses not otherwise able to focus closely, and since the tube does not contain any optical components the image quality of the original lens is maintained.
The H-mount medium format lenses with the FUJIFILM G-mount GFX 50S medium format mirrorless camera, the H Mount Adapter G is a simple interface to expand the range of compatible lenses. as well as the ability to adjust the aperture setting via the GFX 50S’s control dial when working in manual or aperture priority mode. Electrical contacts also permit lens-to-camera communication for applying in-camera lens correction and for recording metadata. Included with the adapter is a removable tripod foot to better facilitate working with larger, heavier lenses.
The Batis 85mm f/1.8 from ZEISS is a portrait-length, short telephoto lens featuring a fast maximum aperture for greater focus control and enhanced low-light shooting. A floating elements system is also used, for consistent performance throughout the focusing range, in order to achieve even sharpness and clarity. Additionally, this lens incorporates optical image stabilization to minimize the appearance of camera shake when working with slower shutter speeds and a dust- and weather-sealed construction lends itself to shooting in trying environments. Bright f/1.8 maximum aperture suits working in low-light conditions and also offers increased control over depth of field for working with selective focus techniques. Three anomalous partial dispersion elements are used to significantly reduce color fringing and chromatic aberrations for increased clarity and color fidelity. The floating elements system helps to maintain consistent image quality throughout the entire focusing range, from 2.6′ to infinity.
The 28-200mm f/2.8-5.6 Di III RXD from Tamron is a wide-to-super-tele zoom distinguished by its bright f/2.8 maximum aperture at the wide end of the zoom, along with its sleek and portable design. Suiting this lens’s use in harsh climates, it also sports a moisture-resistant construction along with a fluorine-coated front element to protect against fingerprints and smudging. Bright f/2.8-5.6 maximum aperture range suits working in available lighting conditions, especially when working at the wide-angle end of the expansive zoom range.RXD (Rapid eXtra-silent stepping Drive) autofocus motor delivers impressively quiet, quick, and smooth focusing performance to suit both stills and video applications. Full-time manual focus override is also possible, and it is compatible with Sony’s Direct Manual Focus function or fine-tuned manual control. A moisture-resistant construction benefits this lens’ use in inclement conditions and a fluorine coating has also been applied to the front lens element to protect against dust, dirt, and smearing.
The Sony FE PZ 28-135mm f/4 G OSS Lens is a wide-ranging zoom lens that covers wide-angle to telephoto perspectives while adding many features for your full-frame, APS-C, or E-mount camcorder or still photography camera system. Focus noise is also minimized through weight reduction of the focus element group and the use of a linear motor. Iris function is also designed to be smooth and silent for cinematography demands. All three control rings have been engineered to provide the right amount of torque for comfortable, responsive operation and the pitch of the scalloping on the rings has been designed for comfortable, slip-free control. Also benefiting working in dim light or at the long end of the zoom range is Optical SteadyShot image stabilization, which works to minimize the appearance of camera shake by up to four shutter speed steps. The world’s first SSM (Super Sonic wave Motor) drive in a cinema lens for quiet zoom and smooth iris control.Features an optical design and control technology inherited from Sony’s professional camcorders that ensure no breathing while focusing.
The FE 28-70mm f/3.5-5.6 OSS Lens from Sony is a great go-to for full-frame E-mount shooters. The lens uses a variable f/3.5-5.6 maximum aperture range in order to achieve lightweight and compact size and incorporates one extra-low dispersion element and three aspherical elements to minimize aberrations throughout the range. Additionally, it is dust and moisture resistant and is equipped with a seven-blade circular diaphragm for smooth bokeh. One extra-low dispersion glass element is featured in the lens design to help reduce chromatic aberrations and color fringing for improved clarity and color neutrality. Optical SteadyShot image stabilization helps to minimize the appearance of camera shake for sharper imagery when shooting handheld with slower shutter speeds. Dust- and moisture-sealed design better permits working in inclement conditions and rubberized control rings benefit handling in colder temperatures.
The Sonnar T* E 24mm f/1.8 ZA Lens from Sony will help APS-C E-mount shooters capture difficult scenes with ease. Offering a 36mm equivalent focal length, this lens is a common choice for street, interiors, landscapes, and general photography. Additionally, it has a seven-blade circular diaphragm for smooth, round bokeh. A wide-angle prime designed for APS-C Sony E-mount cameras, this 24mm lens will provide an equivalent focal length of 36mm. It can also be used on full-frame E-mount cameras in APS-C mode. Zeiss T* anti-reflective coatings have been applied to each lens surface to help minimize reflections in order to provide greater image clarity, contrast, and color fidelity. Two aspherical elements are incorporated in the lens design to reduce astigmatism, field curvature, coma, and other monochromatic aberrations. The advanced optical design permits a minimum focus distance of just 6.3″ for a maximum magnification of 0.25x, allowing the shooter to capture sharp close-ups.
The Sony FE 20mm f/1.8 G is a sleek and wide-eyed prime lens characterized by its portability, advanced optical design, and intuitive handling. A Nano AR Coating has also been applied to further reduce surface reflections and flare for improved contrast when working in bright and backlit conditions. The lens also has a dust- and moisture-sealed design, along with a fluorine coating, to support shooting in inclement conditions. Bright f/1.8 maximum aperture suits working in difficult lighting conditions and helps to maintain a relatively compact form factor. A Nano AR Coating has been applied to minimize surface reflections, flare, and ghosting for increased contrast and color rendering in strong lighting conditions. Dust- and moisture-sealed design better permits working in inclement conditions and rubberized control rings benefit handling in colder temperatures. Fluorine-coated front element resists dust, moisture, and fingerprints and is easy to clean.
The Sigma 14-24mm f/2.8 DG HSM is an Art-series zoom, distinguished by its fast f/2.8 constant maximum aperture to suit working in available lighting conditions. A Super Multi-Layer Coating also helps to suppress lens flare and ghosting for color-accurate, contrast-rich imagery in a variety of lighting conditions. A rounded 9-blade diaphragm improves image quality by helping create smooth bokeh, and the lens is constructed from a lightweight and durable thermally-stable composite. Additionally, a built-in lens hood helps to protect the front element as well as prevent stray light from causing flare. Wide-angle zoom is designed for FX-format Nikon F-mount cameras, however is also suitable for DX models where it provides a 21-36mm equivalent focal length range. Three aspherical elements control spherical aberrations and distortion for increased sharpness and accurate rendering. Integrated HSM (Hyper Sonic Motor) realizes quick and quiet autofocus, which is further complemented by an optimized AF algorithm to produce smoother focusing performance. The HSM also permits full-time manual focus control simply by rotating the focus ring at any time. This lens is compatible with the optional Sigma USB Dock for fine-tuning different lens characteristics and updating its firmware.
The Sigma 30mm f/2.8 DN Art is a sleek and optically refined portrait-length prime for Micro Four Thirds mirrorless cameras. The optical design incorporates a pair of aspherical elements to greatly reduce spherical aberrations and distortion for notable sharpness and highly accurate rendering Complementing the optics is a Linear AF motor, which realizes smooth and quiet autofocus performance, and a rounded seven-blade diaphragm contributes to a pleasing bokeh quality. The f/2.8 maximum aperture strikes a balance between being bright enough to suit working in available light situations while also promoting a lightweight, compact form factor.A Super Multi-Layer Coating has been applied to lens elements in order to minimize lens flare and ghosting and contribute to producing contrast-rich and color-neutral imagery, even in backlit conditions.
The 50mm f/1.4 EX DG HSM Lens from Sigma is a stand prime lens well-suited to full-frame and APS-C Nikon F mount digital cameras. Featuring a Hyper Sonic Motor AF system, the lens has fast autofocus and can get a close as 17.7″. A rounded 9-blade diaphragm also assists in ensuring that you have smooth out-of-focus elements. A front thread will accept 77mm filters and the lens comes with caps, a lens hood, and a carrying case.
The FUJIFILM XF 18-135mm f/3.5-5.6 R LM OIS WR is a versatile 27-206mm-equivalent zoom, covering wide-angle to medium telephoto fields of view. Well-suited for travel and walkaround shooting, the expansive reach of this lens is further complemented by a sophisticated optical design, which uses ED and aspherical elements, to produce high color accuracy, sharpness, and image clarity. Two extra-low dispersion elements are used to greatly reduce color fringing and chromatic aberrations in order to produce high clarity and color fidelity throughout the zoom range. A linear motor autofocus system, coupled with an internal focusing design, delivers smooth, near-silent performance that is especially beneficial to video applications and when working in noise-sensitive areas. The lens body incorporates 20 distinct weather seals to protect against dust and moisture, and to enable worry-free use in inclement conditions and freezing temperatures as low as 14°F.
The PANASONIC LUMIX G 45-150mm f/4-5.6 MICRO 4/3 is a little bit more than an ordinary lens. Sure, it’s got the standard stuff, including aperture blades, optical elements, and the like. But it’s also ideally suited for that particular brand of camera, offering a high level of quality video footage with minimal distortion and blurring. When you match a camera to a lens perfectly, the result can often be quite astonishing. Try minimized distortion and maximized sharpness, with high-contrast shots that look about as crisp as anything you can shoot these days. And what’s more, there are seven aperture blades creating naturalistic, rounded background blurring, and a multi-coated lens element that lets light pass quite directly to the sensor, reducing flaring and other aberrations that seasoned photographers are all too familiar with. Panasonic 45-140with a Panasonic LUMIX G-Series camera and obtain some of the best-quality video available to home, amateur and even professional photographers—all with minimal blurring thanks to the ever-quiet, ever-present autofocus system going on behind the scenes. The 90-30mm equivalent focal length allows for this versatility, while the construction of the lens itself means that you won’t have to lug it around. Instead, at just 7.1 ounces, this lens is about as light as any compact lens you’ll find out on the market today. Keep browsing Adorama to get the right pairing for this lens and make the most out of every shot you take with the PANASONIC LUMIX G VARIO 45-150mm f/4-5.6 MIC 4/3 lens.
The Leica DG Summilux 25mm f/1.4 ASPH. from Panasonic is a 50mm equivalent prime for Micro Four Thirds mirrorless cameras. Characterized by its fast f/1.4 maximum aperture, this lens affords notable control over depth of field and is also well-suited to working in low-light conditions. Its optical design incorporates one UHR element and a pair of aspherical elements to reduce spherical aberrations and distortion, and a Nano Surface Coating has also been applied to suppress lens flare and ghosting for greater contrast in harsh lighting. Bright f/1.4 maximum aperture benefits working in difficult lighting conditions and also enables extensive control over focus placement for selective focus applications. A Nano Surface Coating has been applied to individual elements to noticeably reduce lens flare and ghosting for greater contrast and color fidelity when working in strong lighting conditions.
The Canon EF-mount 17-50mm f/2.8 EX DC OS HSM from Sigma covers a wide-angle to portrait-length range and features a constant f/2.8 maximum aperture to excel in available light conditions. A Super Multi-Layer Coating is also used to suppress flare and ghosting for improved contrast and color accuracy. Benefitting the optics, a Hyper Sonic Motor affords quick and quiet autofocus performance while an Optical Stabilizer minimizes the appearance of camera shake for sharper handheld shooting.Constant f/2.8 maximum aperture is well-suited for working in low-light conditions and also provides greater control over the focus position when using shallow depth of field techniquesThree aspherical elements are used to help limit distortion and spherical aberrations and also contribute to greater overall sharpness and accurate rendering.Hyper Sonic Motor (HSM), along with an internal focusing design, realizes quick and quiet autofocus performance as well as full-time manual focus override.
The Nikon F-mount 17-50mm f/2.8 EX DC OS HSM from Sigma covers a wide-angle to portrait-length range and features a constant f/2.8 maximum aperture to excel in available light conditions. A Super Multi-Layer Coating is also used to suppress flare and ghosting for improved contrast and color accuracy. Additionally, the lens is distinguished by its sleek profile, making it an ideal lens for walkaround and travel shooting. Constant f/2.8 maximum aperture is well-suited for working in low-light conditions and also provides greater control over the focus position when using shallow depth of field techniques. Three aspherical elements are used to help limit distortion and spherical aberrations and also contribute to greater overall sharpness and accurate rendering. Hyper Sonic Motor (HSM), along with an internal focusing design, realizes quick and quiet autofocus performance as well as full-time manual focus override. Optical Stabilizer system minimizes the appearance of camera shake to benefit making sharper imagery when shooting handheld.
The EF 24mm f/1.4L II USM is a Canon L-series lens characterized by robust physical construction and sophisticated optical design. Additionally, this lens sports a ring-type USM for quick and quiet autofocus performance and full-time manual focus override, and an internal floating focus mechanism also helps to maintain consistent image quality throughout the entire focusing range. Fast f/1.4 maximum aperture greatly benefits working in low-light conditions and also affords increased control over depth of field. A Sub Wavelength Coating has been applied to individual elements to control lens flare and ghosting for greater contrast and color fidelity when working in strong lighting conditions. Floating internal focusing mechanism helps to maintain consistent image quality throughout the focusing range, from 9.8″ to infinity. As a member of the esteemed L-series, this lens is sealed against dust and moisture for working in inclement environmental conditions.
The XP 50mm f/1.2 from Samyang is a Canon EF-mount lens distinguished by its speed and advanced optical design. It’s impressive f/1.2 maximum aperture also benefits working in low-light conditions and affords extensive control over depth of field for working with selective focus techniques. Normal-length prime 50mm f/1.2 lens is designed for full-frame Canon EF-mount DSLRs, however, it can also be used with APS-C models where it will provide an 80mm equivalent focal length. One aspherical element and one high refractive index element is featured in the optical design to control spherical aberrations for improved clarity and sharpness throughout the aperture range. An Ultra Multi-Coating has been applied to individual elements to minimize ghosting and flare for increased contrast and color neutrality when working in strong lighting conditions.
The optical design of the SAMYANG XP 35mm F1.2 boasts 12 elements in 10 groups and incorporates Extra-Low Dispersion, Aspherical, and High Refractive lens components to ensure impressive image quality. Additionally, Canon’s exposure control modes are enabled, EXIF info is registered, and its non-rotating filter mount allows for the easy use of polarizers and other rotating types of filters. The SAMYANG has introduced its new Special Performance (SP) 35mm f/1.2 Full Frame Lens for Canon EF mount.